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2017 Art season

Andrea Wolfensberger

“0/1”
Cour de la ferme

Artistic approach

"Swiss artist Andrea Wolfensberger makes use of several modes of expression: painting, drawing, video, sculpture and installation. She has also been working with digital technology over recent years, both in making her videos and in elaboration of the processes for creating her works. Her aesthetic is less the result of a formal search and capture that spends all its energy on matter and form, but rather of constant questioning and research on the possibilities of testing the essence of reality and perception in space and time.

The piece on display in the Donkey Stables is created out of corrugated cardboard and has every appearance of being a sculpture in motion, an echo of the journeys its visitors have made. It is accompanied by a multitude of smaller works sculpted out of wood – studies or variations that seem to be terrains with furrowed or incised reliefs, reminiscent of topographic models.

Where do these variations come from? What do they correspond to? A number of Andrea Wolfensberger’s works on exhibition in the Donkey Stables contain the indication “0/1”. The central corrugated-cardboard is entitled “0/1. zwischen null und eins” (between zero and one). The title encompasses a departure point, a calm; silent state of being, a beginning that carries infinity within itself, as well as an exit, or possibly a return to the point of departure. A far-off visual force incises what arises and what is deployed. A force coming from the realm of the invisible, made visible by the artist.” Extracts from a text by Esther Maria Jungo

BIOGRAPHICAL NOTEs

Andrea WOLFENSBERGER
SWITZERLAND

Born in Zurich in 1961; lives and works in Zurich and in Waldenburg (Basel-Canton).

Lecturer at various Higher Schools in Switzerland and Germany, including Bern’s Higher School of the Arts.

Grants from the Swiss Confederation, the Canton of Zürich, and the Cities of Geneva and Zürich, for Workshops in Rome (Istituto Svizzero) and Paris (Cité des Arts).

Represented by the Gisèle Linder Gallery, Basel (represented at the ART Basel Fair and artgeneve) and the Bob Gysin Gallery, Zurich (represented at artgeneve).

SOLO EXHIBITIONS

2016
A Promised Rose Garden, Bob Gysin Privée Gallery, Lacoste, France
L’écume des jours, Bob Gysin Gallery, Zurich, Switzerland
 
2015
Wade in the water, Orbital Garden, Berne, Switzerland
 
2014
Falten, Gisèle Linder Gallery, Basel, Switzerland (with Luzia Hürzeler)
 
2012
Waveform, Bob Gysin Gallery, Zurich, Switzerland
...dein Wille geschähe..., reformierte Kirche, Zurich-Witikon, Switzerland
 
2011
...then listen again..., Kunstmuseum Solothurn, Solothurn, Switzerland
 
2009
Gisèle Linder Gallery, Basel, Switzerland
Bob Gysin Gallery, Zurich, Switzerland
 
2008
Edizioni Periferia, Lucerne, Switzerland
 
2007
Bob Gysin Gallery, Zurich, Switzerland
kunst@stpeterundpaul, Berne, Switzerland (with Kathrin Stengele)
 
2006
Installation über der Kempt, Illnau-Effretikon, Switzerland
 
2003
Sculpture at Schönthal, Kloster Schönthal, Langenbruck, Switzerland
Denkspuren I, Institut für Neurobiochemie der Universität Witten/Herdecke, Germany
Bob Gysin Gallery, Zurich, Switzerland
Tweaklab, Basel, Switzerland
Performance of Hitzewelle, on the occasion of Three Voices (Morton Feldman), Gare du Nord, Basel, Switzerland; Kunsthaus Zug, Kirche St. Marien, Winsen, Germany; Theaterraum Oldenburg, Germany (with Marianne Schuppe and Peter Vittali)
 
1999
Bob Gysin Gallery, Dübendorf, Switzerland
 
1996
Bob Gysin Gallery, Dübendorf, Switzerland
 
1994
Kulturgarage, Soleothurn, Switzerland
 
1993
Galleria Periferia, Poschiavo, Switzerland
Kunsthaus, Glarus, Switzerland
 
1992
Museum zu Allerheiligen, Schaffhausen, Switzerland

 

GROUP EXHIBITIONS

2017
Of That Time, Of That Place, Pentimenti Gallery, Philadelphie, USA
 
2016
Trouvailles, Bob Gysin Gallery, Zurich, Switzerland
Der Totentanz hat sich zur Herbstmesse Basel eingeladen, ein Markt von Gerda Steiner und Jörg Lenzlinger
Von Anselm bis Zilla: ein Querschnitt durch die Sammlung Kunstmuseum Sion A cher - ajuster - annoter - arracher - blanchir - bruler ..., Musée du Papier Peint, Mézières, Switzerland
Die Gabe, Magazin4, Bregenz, Austria
Playing on the fresh air, Sklad, Sukhumi, Abkhazia
 
2015
Paradies et Utopies, ceci n'est pas qu'une exposition, Leben in Mézières, Musée du Papier Peint, Mézières, Switzerland
45 Jahre Sammelleidenschaft, Kunst(Zeug)Haus, Rapperswil-Jona, Switzerland
 
2014
Métamorphisme, Kunstmuseum Sion, Switzerland
 
2013
six memos for the next..., Magazin4-Bregenzer Kunstverein, Bregenz, Austria
Stadt(t)raüme, zum kleinen Markgräflerhof, Basel, Switzerland
Behaglich ist anderswo, Kunst(Zeug)Haus, Rapperswil-Jona, Switzerland
REMUE-MENAGE, Charlatan, Museu de arte moderna Salvador de Bahia/Fribourg
Springende Lachse. Arbeiten auf Papier, Kunst(Zeug)Haus, Rapperswil-Jona, Switzerland
Geschichtet – Geschnitten, Museum Rehmann, Laufenburg, Germany
 
2011
Wald, Zimmermannhaus Gallery, Brugg, Switzerland
le 1er dimanche, Maison Turberg, Porrentruy, Switzerland
 
2010
Sperrgut, Ku Kunst(Zeug)Haus, Rapperswil-Jona, Switzerland
 
Backdraft, Ausstellungsraum Klingental, Basel, Switzerland
Die Präsenzproduzenten – Mutmaßungen über die Rolle der Kunst, Kunsthalle, Ravensburg, Germany
 
2003
Môtiers 03. Art en plein air, Môtiers, Switzerland
 
2000
Deep Distance. Die Entfernung der Fotografie, Kunsthalle, Basel, Switzerland
bleibe, Akademie der Künste, Berlin, Germany
 
1999
wohin kein auge reicht, 1st Triennial of Photography, Deichtorhallen, Hamburg, Germany
 
1998
Monika Brandmeier, Beat Feller, Heinrich Lüber, Andrea Wolfensberger, Galerie im Trudelhaus, Baden, Switzerland
Reservate der Sehnsucht, Dortmunder U, ehem. Unionsbrauerei, Dortmund, Germany
 
1996
Ferne im Innern, Rathausturm Witten und Neue Galerie Dachau, Germany
 
1991
Kunst Europa, Dortmunder Kunstverein, Dortmund, Germany
 
1990
Transformations, Fundação Calouste Gulbenkian, Lisbon, Portugal
Transformations, Mamco, Geneva, Switzerland
 
1989
Eisen 89, Perspektiven Schweizer Eisenplastik, Dietikon, Switzerland
Môtiers 1989, Art en plein air, Môtiers, Switzerland
 
1988
Artefact, F. E Aeschbach AG, Aarau, Switzerland
 
1987
Traces du sacré dans la sculpture suisse contemporaines, Bex & Arts, Bex, Switzerland
 
1986
Repères / Merkzeichen, Kantonales Kunstmuseum, Sion, Switzerland

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